

ARTIST STATEMENT
I am a costume designer, visual artist, collaborator, and mentor. In my work, I celebrate humans: performers, collaborators, and those who receive what I create. I examine societal and individual values, methods of self-expression, and the ways we use visual communication. Lately, this has led me to study wearable technology in performance settings.
I am drawn to this work because narratives connect us to one another, provide opportunities for emotional release, and serve as platforms for expression. Connections foster understanding, while affording space for both shared and opposing perspectives. Meaningful conversation is born in this space. To identify these connections, I engage in anthropological investigation, carefully considering historical power structures.
I reframe contemporary issues through multiple lenses in order to generate a specific visual response and dress the character. Performers breathe life into the script and story, engaging their bodies’ expansive capacity to traverse the gamut between movement and stillness, silence and noise. I contribute to what they communicate through costume, steering first impressions, manipulating silhouette, and honoring ability. In this setting I am able to celebrate humans in their multiple variations, shapes, colors, and capacities. I fabricate costumes that camouflage, enhance, drape, sculpt, distort, mold, and embrace the wearer. I delight in color that enriches and conceals.
As a costume designer and artist, I use my understanding of the complexity of people, of history, of fabric, and of assumption to build compelling visual images that challenge, enlighten, and entertain. I am excited to be able to highlight, emphasize, edit, and underline a story so that what we see honors word and movement, eliciting thought provoking reactions from the audience.

I'm Not Rappaport
by Herb Gardner
Broadway's Booth Theatre, New York City




The Mecca Tales
by Rohina Malik
Voyage Theater Company and
Crossroads Theatre Company
The Sheen Center, New York City





Curse of the Starving Class
The Sad Lament of Pecos Bill on the Eve of Killing His Wife
Action
The Late Henry Moss
by Sam Shephard
Off Broadway's Signature Theatre














36 Views
by Naomi IIzuka
Huntington Theatre Company, Boston, Massachusetts











Promising
by Michelle Elliott
The Beckett Theatre, Theatre Row, New York City






Once Upon a Time in Bamboo
by Peilin Kuo
Let Me Think Productions
Short Film








Drowning
by Maria Irene Fornes
Off Broadway's Signature Theatre, New York City






Everett Beekin
by Richard Greenberg
Lincoln Center Theatre, New York City










One World
by Terry Berliner
LB Creative
Private Event, Malvern Pennsylvania






Funnyhouse of A Negro
A Movie Star Has to Star in Black and White
by Adrienne Kennedy
Off Broadway's Signature Theatre, New York City







IOADA – Unearthing the Odyssey of Io
by Laura Tesman
Composer & Translator Erato A. Kremmyda
Philippi Festival of Kavala, Greece













Fit to be Tied
by Nicky Silver
Off Broadway's Playwrights Horizons, New York City





Press
“ Every article of clothing in this perfectly elegant production is simple and chic;… I can’t remember a better looking production.”
Letters From Cuba by Maria Irene Forness, Signature Theatre
-- Jason Zinoman, "Time Out New York"
“They are at once eerie and gorgeous, the gelatinous mounds of flesh that feel the pain of rejection so deeply in the lovely, enigmatic Drowning, a playlet by Maria Irene Fornes...These exotic creatures, animated with Wonderland-ish panache by the costume designer Teresa Snider-Stein, look like tuskless walruses that have evolved into bipeds.”
Mud and Drowning by Maria Irene Forness, Signature Theatre
-- Peter Marks, "The New York Times"
"The costumes are by Teresa Snider-Stein, who has given the men a layered look of delightful shabbiness and designed an especially smart dress for Clara.”
I’m Not Rappaport by Herb Gardner, Booth Theater on Broadway
-- Howard Kissel, "Daily News"
“He (Peter Falk) wears a heavy old overcoat, which he never takes off, even though everyone else appears dressed for summer. And his shoes, snappy brown and white numbers, are so new and cheap they squeal when he walks…. But his clothes are perfect….”
Mr. Peters’ Connection by Arthur Miller, World Premiere at Signature Theatre
-- Linda Winer, “Newsday”


Contact Me
Agent Information
Summit Entertainment Group, LLC
Russ Rosensweig
646-873-6553 (main) 203-889-3001 (fax)
COSTUME
DESIGN
Creating for the 21st Century
© 2021 Teresa Snider-Stein Costume Design.